These differences may be subtle but it’s important to know that they will happen and how to predict the outcome. So the particular hue of your primary colour will influence the outcome of your mixed colours, whether they’re secondary or tertiary colours.
We obviously have primary blue but ultramarine blue, prussian blue or pthalo blue are all different iterations of the same colour. For example, The colour blue has many many variations even as a primary colour. There isn’t only one option in terms of a shade of yellow, for example. Something else to consider is that the particular hue of your colour is important. Essentially you can further versions for the tertiary colours by repeatedly mixing each neighbouring pair until you have a seamless, continuous transition. By adjusting the proportions of the primary and secondary colours you can create a wide range of subtle colours. Another easy way to look at it is by mixing an adjacent primary and secondary colour together, you will end up with the tertiary colour. It’s made mixing a higher ratio of one colour over the other. Tertiary Colours: A tertiary colour is an intermediate colour and is a step between a primary colour and a secondary colour. Therefore, an equal ratio of yellow and red or yellow and blue is more likely to be influenced by the stronger pigment of red and blue so you would need more yellow to balance it out.
For example, in many brands of paint, yellow is a weaker pigment. However, depending on the paint you use and the quality of the pigment, it may take a higher ratio of certain colours to create a true middle tone. These are your secondary colours and are thus made using the primary colours as a base. Secondary Colours: At its most basic form, colour theory tells us that if we mix equal parts of two primary colours then we will create green, orange and purple. The primary colours, however, make up the rest of all the colours we see and use. The primary colours are red, yellow and blue and cannot be mixed using any other colours. Primary Colours: The primary colours are easily the most common and make up the foundation of the world around us in terms of colour. There are also categories of colour based on the basic colour wheel, basically divided into three parts. There is a surprising amount of debate about the validity of one variation over another but honestly, any circle of colour that presents a logically arranged sequence of colours and hues has merit. Since then, artists and scientists have studied and designed many variations on the traditional ‘colour wheel’ as we know it today. He created the first circular diagram in 1666. Sir Isaac Newton was the first person to develop the colour wheel as we know it.
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